Light as a Creative Medium in the Art of György Kepes

The symposium in New Delhi at the India International Centre, organized in collaboration with the Max Mueller Bhavan, looked specifically at the history of art school education in South Asia in relation to the Bauhaus legacy. Speakers include: Kathleen James Chakraborty, Sabih Ahmed, Anshuman Dasgupta, Suchitra Balasubrahmanyan, Mayank Mansingh Kaul, David Abraham, Tanishka Kachru, S Balaram, Saif Ul Haque, Kazi Ashraf, Prasad Shetty, Rupali Gupte, and Natasha Ginwala.

Cristine Takuá is an Indigenous philosopher, educator, and artisan who lives in the village of Rio Silveira, state of São Paulo, Brazil. She was invited to present a contemporary perspective on questions and tensions raised by interactions between the Indigenous communities and the mainstream art system, as well as to address Brazil’s specific social and political context.

This text investigates how the topological figure of the Möbius strip, famously propagated by Bauhaus proponent Max Bill, was used in Brazil within dissident artistic practices of the 1960s and 1970s as a tool for reflection on the subject, alterity and public space. The Möbius strip is revisited in this essay as a conduit for thinking critically about possible subversions of Eurocentric forms, as well as various appropriations of traditional popular culture by modern and contemporary art in Brazil.